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I thought that the notion of placing someone slightly right of the center to make them be in the most ideal place was quite interesting. Supposedly it has to do with golden ratios which I have learned about in several classes ranging from art to math.
A lot more goes into cinematography than I thought. There was an entire paragraph dedicated just to examples of movement and flow that tend to imply a certain theme when used properly.
I like how at the end he gives a disclaimer of taking everything you see with a grain of salt when interpreting them symbolically. Everything is always up for interpretation.